Selected Publications

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Lucia C.  2009.  'The Landscape Within': The String Quartets of Kevin Volans. SAMUS: South African Music Studies. 29:1-30. Download: the_landscape_within_2009.pdf (1.97 MB)
Lucia C.  2002.  Abdullah Ibrahim and the Uses of Memory. British Journal of Ethnomusicology. 11/2:125-43. Download: abdullah_ibrahim_and_the_uses_of_memory_2002.pdf (1.67 MB)
Lucia C.  1992.  The Parrot and the Nightingale: Reflections on the ‘Encounter Between Two Cultures’. University of Durban-Westville: Inaugural Address Series.
Lucia C.  2013.  Kevin Volans. Komponisten der Gegenwart: Edition Text + Kritik 50.  Download: volans_kevin_-_komponisten_der_gegenwart_2013.pdf (2.79 MB)
Lucia C.  2005.  Abdullah Ibrahim and ‘African Pianism’ in South Africa. Towards an African Pianism: Keyboard Music of Africa and the Diaspora. 1:53-67. Download: abdullah_ibrahim_and_african_pianism_in_south_africa_2005.pdf (800.91 KB)
Lucia C.  2004.  Louise Meintjes, Sound of Africa! Making Music Zulu in a South African Studio. Journal of Southern African Studies. 30/4:919-20.
Lucia C.  2005.  Intergalactic Spaces: A Profile of Carlo Mombelli. NewMusicSA Bulletin. 3-4:7-8. Download: intergalactic-spaces.pdf (111.02 KB)
Lucia C.  1994.  Hubert du Plessis: Opp.1, 28 & 40. South African Journal of Musicology: SAMUS. 14:105-108.
Lucia C.  1987.  The Ethnomusicologist and the Educator. Papers Presented at the Sixth Symposium on Ethnomusicology. :36-39.
Lucia C.  2007.  Spirit of Africa: An Interview with Andrew Tracey. SAMUS: South African Music Studies. 26-27:127-43.
Lucia C.  2011.  Joshua Pulumo Mohapeloa and the Heritage of African Song. African Music: Journal of the International Library of African Music. 9(1):56-86. Download: joshua_pulumo_mohapeloa_and_the_heritage_of_african_song_2011.pdf (574.79 KB)
Lucia C.  1995.  Schumann’s Tonal Analogue Revisited. South African Journal of Musicology: SAMUS. 15:15-24.
Lucia C.  2008.  Back to the Future? Idioms of ‘Displaced Time’ in South African Composition Composing Apartheid: Essays of the Music of Apartheid. :11-34.
Lucia C.  2000.  Hugh Tracey: Historical Recordings of Hugh Tracey. South African Journal of Musicology: SAMUS. 19/20:87-91.
Lucia C.  2007.  Statement. Breaking the Silence: Positive Survivors. :48-55. Download: statement.pdf (98.14 KB)
Lucia C.  1996.  Peter van der Merwe: The Origins of the Popular Style. African Music: Journal of the International Library of African Music. 7 (3):148-151.
Lucia C.  2003.  The Goldberg Variations. Xavier Review. 23/2:21-30. Download: the-goldberg-variations.pdf (97.56 KB)
Lucia C.  1992.  Ethnomusicology and the Art of the State: Training the Music Professional in South Africa. Proceedings of the Fourth National Music Educators’ Conference 1991. Music Matters: Music Education in the 1990’s. :75-86.
Lucia C.  2007.  How Critical is Music Theory. Critical Arts. 21/1:166-89. Download: how_critical_is_music_theory_2006.pdf (4.26 MB)
Lucia C.  2005.  Introduction: Reading South African Music. The World of South African Music: A Reader. :xxi-xlvi. Download: introduction_-_reading_south_african_music.pdf (783.39 KB)
Lucia C.  1999.  Michael Blake: a Profile. Intercultural Musicology. 1/1-2:12-15.
Lucia C.  2008.  Travesty or Prophecy? Views of South African Black Choral Composition Music and Identity: Transformation and Negotiation. :161-180. Download: travesty_or_prophecy_views_of_south_african_black_choral_composition_2008.pdf (927.6 KB)